Henry Thomas tries to overcome the horrors of his childhood and start a new life with his wife and kid. However, his abusive step-mother and his dependence on alcohol threaten to ruin his future.

An unedited memory card from a camera shows Leah Sullivan's school project about a cold case murder that doesn't seem to be so cold after all.

Поздним вечером Зэйкс Эббот и его девушка Бэт едут домой по безлюдному шоссе. Внезапно перед самым носом Зэйкса выскакивает белый грузовик. Водителям чудом удается избежать столкновения. От бешеной скорости двери грузовика приоткрываются, и Зэйкс успевает заметить внутри связанную окровавленную девушку. В абсолютном шоке, до конца не веря увиденному, Зэйкс доезжает до ближайшей заправки. Вернувшись в машину, он обнаруживает, что Бэт исчезла… в диком ужасе Зэйкс бросается на ее поиски, не подозревая, что теперь он вовлечен в смертельно опасную игру на безлюдном шоссе. Являясь единственным свидетелем увиденного, как убедить других людей поверить и помочь ему?

Short film built from photographs, sped up like a traditional stop motion and is meant to be an evocation of the English Eerie and Folk Horror.

Asa is a film which tries to show the confrontation between the dance of a body, the gesture of filming, editing, and moreover, between the sensitive surface of the film and the texture of skin in light.

A day in the life of John Lennon, alive and well in modern-day New York City. The former Beatle squabbles with a security guard, commiserates with his best friend over lunch, and upsets a bully.

An American loses all his money and finds himself stranded in England. He finds hope when he meets a female smuggler who has brought jewels into the country inside a teddy bear, but unfortunately, things quickly get out of hand.

Мафиози мелкого итальянского городка решает выгнать небольшой местный цирк с насиженного места, чтобы начать там застройку. Но на свою беду он переходит дорогу двум братьям, когда решает попутно украсть дюна-багги их покойного отца, с которым связаны милые их сердцам воспоминания.

"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri

A veritable feast awaits fans of Ian Anderson's Jethro Tull on this elaborate DVD package, which boasts extensive concert footage and a load of extras. The focal point is nearly two hours of performances, filmed in late 2001 (primarily in London, with additional material from several other locations) and featuring material from the band's entire lengthy career, including such staples as "Aqualung" and "Bouree." The current Tull incarnation (featuring, as always, Anderson on vocals, flute, and sundry other instruments) takes center stage; there are also a couple of numbers with a string quartet, and even a small-club reunion of the lineup that made the group's very first album back in 1968. Interviews with band members, testimonials from rabid fans, photos, and even an option for viewing a Tull performance from three different audience points of view are among the generous helping of extra features.

Cult filmmaker Tom DeSimone (Reform School Girls; Erotikus: A History of the Gay Movie) revisits the production of a lost gay film and resurrects youthful adventures on the California coast. From the creators of Raw! Uncut! Video!.

Hazel runs a beauty salon out of her house, but makes extra money by providing ruthless women the oppurtunity to perform hit jobs. L.T. is a parasite, and contacts Hazel looking for work after he runs out of money. She is reluctant to use him for a hit, since she prefers using women, but decides to try him on a trial basis. Meanwhile, the cop she pays off wants an arrest to make it look like he's doing his job, but Hazel doesn't want to sacrifice any of her "associates". The sleazy side of life is explored in this delightfully dark and deadpan film.

Узнав, что этот год — «год соккера», то есть европейского футбола, Джош и его верный пес Бадди записались в школьную команду. К тому же в ней играет Эмма, которая недавно приехала со своими родителями из Англии и прекрасно разбирается в соккере. Джош и Эмма быстро подружились, а Бадди начал «ухаживать» за ее собакой — золотой ретривершей Молли. И хотя Джош еще плохо владеет мячом, Бадди отличается в первой же игре, составив вместе с Эммой грозный дуэт нападающих. Разгромив всех соперников, команда доходитдо финала, а Бадди и Молли становятся счастливыми родителями пятерых золотистых щенков. Но перед самой финальной игрой злой собачник похищает щенят. Бросившись им на выручку, Джош, Эмма и Бадди могут опоздать на главный матч года, в котором их команде нужна только победа…

The story of Charlotte Brown,a waitress and young single mother who will do anything for her daughter Jenny, and when push comes to shove, she does. With a menacing figure on the other end of the phone and a time limit of two hours,she must raise enough money to ensure that she sees the smiling face of her child again. Charlotte's customers are her only hope. The clock is ticking as we see the desperate young mother dealing with one eccentric customer after the next, displaying her charming vulnerability and inspiring strength through all the chaos. With her feet firmly planted on the ground, Charlotte maintains her focus and attempts to beat the clock and save the day.

Video installation, 2005, at LOKAAL_01 Breda 2007, Burning Marl, curator Frederik Vergaert in Seppenshuis Zoersel, 2005. A woman walking through 3 video images. Three screens display how the day’s light passes by: from the early morning light until late at night. Along with the woman the artist walks through the forest, in the same rhythm, the same pace. Off-screen she looks through the camera, fragmenting time. The age-old androgynous trees are a vertical constant along which the woman moves, as if in an interval between visibility and invisibility, between sound and silence, while the light keeps on evolving metabletically.

Девочка Алиса проходит сквозь зеркало, знакомится с шахматными фигурами и участвует в шахматной партии в качестве белой королевской пешки.