The second part, "Remnants" follows the families of many of the workers in an old state-run housing block, "Rainbow Row." In particular, Wang focuses on the teenage children who concern themselves with their own lives but must also cope with their inevitable displacement as Tie Xi's factories continue to close down. In Chinese, this section is called 艳粉街 (Yànfěn Jiē), meaning "Yanfen Street."

In the middle of a broadcast about Typhoon Yolanda's initial impact, reporter Jiggy Manicad was faced with the reality that he no longer had communication with his station. They were, for all intents and purposes, stranded in Tacloban. With little option, and his crew started the six hour walk to Alto, where the closest broadcast antenna was to be found. Letting the world know what was happening to was a priority, but they were driven by the need to let their families and friends know they were all still alive. Along the way, they encountered residents and victims of the massive typhoon, and with each step it became increasingly clear just how devastating this storm was. This was a storm that was going to change lives.

A Korean riff on The Terminator.

Insane Fight Club is back. This year the boys are taking their unique form of entertainment to England as they stage fight nights in Birmingham, Leeds, Liverpool and Newcastle.

Several little boys run along a pier, then jump into the ocean.

Матти, мать троих детей, сталкивается с грузовиком на парковке возле супермаркета. Джонни выходит из кабины. Он в ярости орет на Матти, что помят бампер его машины. Однако, не смотря на потрясение от произошедшего, Матти резко отвечает ему. Их перебранка заставляет вмешаться полицию. Несколько дней спустя, Джонни звонит в дверь. Он извиняется и выправляет вмятину на багажнике машины Матти. Дети Матти потрясены, когда становятся свидетелями первой искры взаимности, возникающей между Матти и таким молодым Джонни. В то время как Джонни показывает свою романтичную сторону, почти в игру возвращается экс-муж Матти…

После того, как Юрек Киллер стал национальным героем, к нему со всех сторон сталипоступать самые заманчивые предложения. Теперь он уже не простой таксист, а глава крупного благотворительного фонда, куда стекаются весьма щедрые пожертвования. И одним из таких пожертвований являются три тонны золота в слитках. Мафия, естественно, не может упустить такие сокровища и для получения груза находит двойника, внешне обладающего полным сходством с Юреком. Но остается одно препятствие — сам Юрек Килер…

For her anniversary, Brigitte tries everything to get the attention of her husband, former undertaker. After discovering that the latest construction of her neighboor Martha looks like a coffin, the sole purpose of Brigitte is to steal this coffin as a gift for her husband.

Leon Kennedy and two other police officers find themselves trapped on a farm outside Raccoon City, fighting for their lives against an undead horde.

«Крёстный отец. Трилогия. 1901—1980» — выпущенный на видео кинофильм-спецпроект Фрэнсиса Форда Копполы, представляющий собой все три серии саги Крестный отец, перемонтированные в хронологическом относительно действия фильма порядке. «Трилогия» сделана на основе выпущенного в 1977 телесериала «Крестный отец: Сага» (перемонтированные в хронологическом порядке фильмы «Крестный отец» и «Крестный отец 2» с дополнительными сценами в 60 минут), к которому добавлен материал фильма «Крестный отец 3».

Death In Gaza is an Emmy-award winning 2004 documentary film about the Israeli-Palestinian conflict, opening in the West Bank but then moving to Gaza and eventually settling in Rafah where the film spends most of its time. It concentrates on 3 children, Ahmed (age 12), Mohammed (age 12) and Najla (age 16).

This is the amazing story of how a group of reclusive Rhineland experimentalists became one of the most influential pop groups of all time - a celebration of the band featuring exclusive live tracks filmed at their Tate Modern shows in London (Feb 2013), interwoven with expert analysis, archive footage of the group, newsreel of the era and newly-shot cinematic evocations of their obsessions. With contributions from Derrick May, Holger Czukay, Francois Kevorkian, Neville Brody, Paul Morley, Peter Boettcher, Caroline Wood and more.

With their headmistress under lock and key in her majesty's prison, the St Trinian's girls find themselves under the protection of the army. However, when the sixth form take a fancy to winning a trip to Italy through means fair or foul, the army discover this is one battle they can't win. Let loose in Europe, it is not long before St Trinian's have succeeded in endangering European relations.

В новом выпуске Ми-Ми-Мишки будут строить собственный кинотеатр, а Кубики узнают, как стать популярными видеоблогерами. Также зрители увидят новые серии мультфильмов «Домики», «Катя и Эф. Куда-угодно-дверь», «Бобр Добр» и «Волшебный фонарь».

The Russian version of the movie "Fight Club" is not just a Russian version of a well-known cult film, it is the result and of the hard work of two young men and their love for cinema, Alexander Kukhar (GOLOBON-TV) and Dmitry Ivanov (GRIZLIK FILM) , who are responsible for this project, from the development of its idea and the selection of the cast, to the organization of filming and financial support. Filming lasted a whole year. Everyday work, constant trips, searching for suitable film sets and an exhausting schedule - all this was not in vain and resulted in an unusually amazing and original project - the film "Fight Club", created in the very heart of southern Russia, in the city of Krasnodar, by two young people

Felix fends for himself.

On the 20th anniversary of Federico Fellini's death, Ettore Scola, a devoted admirer of the incomparable maestro, commemorates the lesser-known aspects of his personality, employing interviews, photographs, behind-the-scenes footage as well as his drawings and film clips.

Sexual intimacy. Three kinds of images race past, superimposed on each other sometimes: two bodies, a man and a woman's, close up, nude - patches of skin, wisps of hair, glimpses of a face and genitalia; strips of celluloid with lines and squiggles scratched on them; and, close-up shots of what appear to be the insides of living bodies - a heart beating, muscle and sinew and tissue wet with fluids. The exterior and interior of desire.

Pierre is an engine driver who adopts a small girl, a WWI orphan. A widower, he sees in her the image of her mother.

Ruth Etting shows how she make a perfect three minute egg by singing a song with a length of exactly three minutes.