Golgota is a film about extreme body art with a very pronounced sexual component. The film is told through a series of title cards per hour. It’s 6 hours in the life of Wendy, a woman with multiple paraphilias who has no limits.

HIDE is a contained psychological thriller about one resilient wife’s (Nadine Malouf) fight to escape her husband’s (Ben Samuels) escalating gaslighting and abuse during lockdown. The female-centric genre film is lensed in the wife’s evolving perspective as she slowly comes to see what is happening to her and finds the support to fight back. Visually mesmerizing and emotionally arresting, the film’s pace and pathos pull us into a story that will feel uncomfortably familiar to too many of us.

LOOKING LIKE MY MOTHER is a film about family relationships and personal destiny, about realizing one's own potential and one's limitations. It traces the individual experience, showing the emptiness one can feel as well as the discovery of a sense of meaning in life. It is a very personal and courageous film that doesn’t search for scientific explanations but instead uses documentary and fictional material to weave an intimate biography. This combination of perception and memory suggests a deep reconciliation and allows tender feelings of a mother’s love to emerge.

Tragedy doesn’t come any more Dickensian in tone or Shakespearian in scope than this dark social drama of the disintegration of a little family of four. A series of small debts triggers the swift domino effect that unleashes chaos on a well-meaning working class dad who has the bad judgment to speak truth to power.

Экзистенциальная и философская картина, своими корнями уходящая в японскую традицию киберпанка. В фильме наблюдается прямая преемственность от фильмов "Туман" и "Тэцуо" известного кинорежиссёра Синъя Цукамото.

Tension mounts between a quadraplegic man and his wife as she prepares a bath for him.

An ordinary man takes revenge only to find it's made him the target of a major crime lord and his army of psychopaths and professional killers.

A former FBI agent must stop a crazy man from blowing up bombs.

In this film several objects make paintings on an empty canvas, which all turn into photos and films.

A long time ago, the so-called "Google Wars" engulfed the whole world in a deadly chain reaction. Civilization came to a grinding halt. But there is still hope. This is the story of a new beginning...

Based on the comic by Mako Takami.

It’s 1942, and Portugal languishes under dictatorship and WWII rages just beyond its borders. Secrets, half-truths, and mistrust prevail in the state security office of chief inspector Varga, who makes professional privilege a cover for his unprofessional interest in a boldly carnal refugee and her alleged brother. Director/writer Saboga (screenwriter for Raúl Ruiz’s MYSTERIES OF LISBON) saturates the dark world of this predatory tale with steamy eroticism and paranoia, starting with the incestuous desires of his bi-curious adolescent daughter and including the family maid.

A witty and mind-expanding exploration of data, with mathematician Dr Hannah Fry. This high-tech romp reveals what data is and how it is captured, stored, shared and made sense of. Fry tells the story of the engineers of the data age, people most of us have never heard of despite the fact they brought about a technological and philosophical revolution.

The plot revolves around two guys, Preet and Harpal, who are from a middle class family and are carefree and not concerned about their future. They keep making schemes to make themselves rich. Their father tries to teach them the facts of life and to be efficient and independent. Their mother however supports them in whatever they do no matter how frivolous. The film takes a hilarious turn when the boys meet two rich girls and make a plan to get involved with the girls to extract money from them. In order to do this they need to adapt to the girls lifestyles and borrow money from their father. The plot gets murkier when they decide to marry the girls. Secrets are revealed and criminals are involved. What happens next? Do the boys succeed in their plan? Watch the movie to find out.

Two great friends who live in a small coastal town face an opportunity that will change their lives forever.

Bhanwar, a simpleton young man in the rural Rajasthan wants a bride for him but gets duped. Instead of a woman, he is married off to a transgender person – Sanwri. Having no resort Bhanwar and his uncle decide to keep Sanwri for their household work but fearing the social ostracization they also try to keep her actual identity a secret. Bhanwar and Sanwri eventually fall in love and fight to survive as a couple in a conservative, oppressive society where marriages are meant to take place only between a man and a woman, and traditional norms are more important than humanity.

Hurmuz is a beautiful woman, her husband Ömer is in prison and she's in love with him. She thinks that her husband is very loyal to her, but one day, when she goes to visit him, she learns that she has six other wives besides herself, and she can't get over this and wants to take revenge. Hızır Reis, Guard Hasan, Tulumbacı Hayri, Hallaç Rüstem and Berber Hasan. Hurmuz marries all of them in turn and kidnaps them all on their wedding night. But still, Hurmuz's heart is with the doctor.

Действие комедийной картины «Подлодка вампиров» рассказывает историю о современной американской компании, лайнер которой должен проплыть по незабываемому маршруту, удивив и подарив яркие впечатления каждому оказавшемуся на борту туристу. К сожалению, лайнер главных героев фильма терпит крушение неподалеку от берегов Пуэрто-Рико. На зов радиосигнала приходит необычная помощь – подводная лодка времен Второй мировой войны вместе с экипажем нацистов. Солдаты Третьего Рейха, застрявшие во временной петле, уверены, что в мире до сих пор 1945 год. Не успев обрадоваться своему спасению, герои узнают истинные цели зловещего экипажа – применение тайного груза, который может привести к страшным последствиям. Хватит ли героям сил перебороть себя и предотвратить беду?