Every super hero has his nemesis - and this time Flash has that murderous mischief maker the Trickster

Six vignettes pit an assortment of characters against each other in everyday situations.

Sundar, a waiter, is in love with Radha but does not have the courage to tell her. When he becomes a successful comedian, he confesses his feelings to her, only to find that she loves someone else.

25 марта, в последний день учебного года Арараги Коеми, как и большинство других абсолютно нормальных студентов, с нетерпением ждал начала беззаботных весенних каникул, когда его одноклассница, Ханекава Цубаса, рассказала ему, что по слухам в городе появился вампир. А уже вечером на безлюдной станции подземки Коеми обнаруживает израненную женщину, которая полностью соответствует описанию Ханекавы: удивительно красивая блондинка с ледяным взглядом. Эта судьбоносная встреча означала для нашего героя только одно, что его каникулы будут какими угодно, но только не беззаботными, ведь парень столкнулся с самой могущественной из всех чудовищ. Легендарный вампир, живущая уже сотни лет, Кисс-шот Ацерола-орион Харт-андер-блейд, выдернет Коеми из его привычного мира и окунет его в мир духов, призраков и проклятий.

In answer to an orphan boy's prayers, the divine Lord Krishna comes to Earth, befriends the boy, and helps him find a loving family.

The Red Mountain Tribe hangs out in my backyard. "Lipton's lovely home movie PEOPLE, in its affection for valuable inconsequential gestures, indicates in the course of its three minutes why there has to be a continuing alternative to the commercial cinema." – Roger Greenspun, The New York Times

For Kevin, a shy teenager, being bullied is part of everyday life. But one day an older guy, Benny, comes to his aid. Impressed by Benny's self-as-sured appearance, Kevin seeks his company from then on, and increasingly idolizes him. But Benny's intention is not to protect the younger boy, quite the contrary.

In the middle of a broadcast about Typhoon Yolanda's initial impact, reporter Jiggy Manicad was faced with the reality that he no longer had communication with his station. They were, for all intents and purposes, stranded in Tacloban. With little option, and his crew started the six hour walk to Alto, where the closest broadcast antenna was to be found. Letting the world know what was happening to was a priority, but they were driven by the need to let their families and friends know they were all still alive. Along the way, they encountered residents and victims of the massive typhoon, and with each step it became increasingly clear just how devastating this storm was. This was a storm that was going to change lives.

‘Finding Fanon’ is the first part in a series of works by artists Larry Achiampong and David Blandy; inspired by the lost plays of Frantz Fanon, (1925-1961) a politically radical humanist whose practice dealt with the psychopathology of colonisation and the social and cultural consequences of decolonisation. In the film, the two artists negotiate Fanon’s ideas, examining the politics of race, racism and the post-colonial, and how these societal issues affect their relationship. Their conflict is played out through a script that melds found texts and personal testimony, transposing their drama to a junkyard houseboat at an unspecified time in the future. Navigating the past, present and future, Achiampong and Blandy question the promise of globalisation, recognising its impact on their own heritage.

Philip Glass’ opera “Akhnaten”, premiered in Stuttgart in 1984, forms the third part of the portrait opera trilogy about personalities who have influenced the course of human history. The conclusion of the trilogy deals with the ancient Egyptian pharaoh Akhenaten, who attempted to establish a kind of monotheistic cult around the god Aton during his reign in the 14th century BC, but failed due to the resistance of the priesthood. The production presented here was undoubtedly one of the very great successes of the 2019/20 season at New York’s Metropolitan Opera, due not only to the outstanding cast of singers (led by countertenor Anthony Roth Costanzo) but also to Phelim McDermott’s imaginative staging, which captivates with sometimes breathtaking imagery.

David McDoll is a selfish and wealthy man living an enviable lifestyle in his large villa and collecting fancy cars. However, his life is about to be changed forever when he inherits his six grandchildren. His glamorous lifestyle quickly becomes complete chaos. But he will learn a valuable lesson that teaches him about placing family first and discovering a newfound appreciation for life.

Batman has not been seen for ten years. A new breed of criminal ravages Gotham City, forcing fifty-five-year-old Bruce Wayne back into the cape and cowl, but does he still have what it takes to fight crime in a new era?

AA is a portrait of the dream diaries of Russian avant garde feminist poet and photographer Anna Alchuk.

Каждый в этом мире знает, что есть дичь, есть хищники, а есть Охотники. Только им, элите человечества, доступны затерянные земли, древние сокровища, волшебные предметы — все тайны нашего мира. Так же им разрешена охота за головами, они имеют право на убийство и кровную месть — об этом в курсе и 12-летний Гон Фрикс с Китового острова. Впрочем, охотничье братство — не удалая вольница, а могущественная организация, которая серьезно подходит к отбору кандидатов. Гон, как и любой мальчишка, мечтает об экзамене на Охотника, но тетушка Мито, единственная родственница, удерживает парня, не желая, чтобы тот повторил путь отца, бросившего семью и сына.

Джеральд Товар заведует похоронной конторой, перешедшей к нему от отца. По наследству ему достался не только семейный бизнес, но и плоды тёмных отцовских делишек — несколько оживших трупов, которых Джеральд втайне от безалаберного персонала запер в крематории. Вынашивая на личных мертвецов далеко идущие планы, Джеральд решает посвятить в них своего проблемного братца Гарольда.

Once known for his intellectual prowess, a retired professor (Anupam Kher) begins experiencing memory gaps and periods of forgetfulness. But while he tries to laugh it off, it soon becomes clear that the symptoms are a sign of a more serious illness, prompting his grown daughter (Urmila Matondkar) to move in as his caretaker. Meanwhile, as his mind regresses, he recalls a traumatic childhood memory involving the death of Mahatma Gandhi.

Tomek and Ania finally decide to get married. The wedding, according to the wishes of Ania, will take place at the family members of Tomek with whom he has had no contact for years. It turns out that his brothers and his mother are like an Italian family where every conversation threatens to lead to an explosion and where a loving relationship and a quarrel are close together. Also the mother of Ania does not make a good impression on the mother of Tomek when she appears at the wedding with a much younger partner. The unexpected arrival of Tomek's father, whom he has not seen for years, is the drop that makes the bucket overflow .

When twin girls are found dead in their family’s barn, reality star turned TV-reporter Meredith Phillips and her de-facto camera crew are dispatched to rural Wisconsin to investigate the gruesome deaths. In their relentless drive to break the story, the reporters become entangled in a deadly mystery and uncover the small town’s shocking secret. Edited together from the crew’s multiple cameras, the film documents their struggle to survive the most terrifying night of their lives and becomes the only evidence of a crime too horrific to imagine.

Bodies line the streets, zombies roam hunting for brains or flesh, the "Zombie Apocalypse is now"... At least that is what Brian thinks. Brian drags Wess from his bed, and out through the night barricading themselves inside the safest place to be when zombies attack... A bar... Wess doubting the accuracy of Brian's recollection tries to convince him he could be wrong. Together the two friends wait out what could be the zombie apocalypse arguing as their imaginations run wild.

Действие фильма «Форсаж ярости» начинает развиваться в тот момент, когда обычный пассажирский авиалайнер начинает готовиться к взлету. Пассажиры занимают свое места, багаж загружается в специальные отделения. Кажется, что очередной рейс пройдет без каких-либо проблем. Но никто на этом самолете даже не представляет, что сотрудники аэропорта допустили серьезную ошибку и в результате своей халатности пропустили на борт человека, у которого с собой взрывное устройство. Спустя некоторое время на связь выходят преступники, заявляющие, что если самолет окажется на высоте менее, чем 250 метров, то самолет взорвется автоматически. Пилоты и специалисты, находящиеся на земле, оказываются в состоянии смятения и ужаса, не зная, что делать и как вести себя в этой ситуации. Пассажиры остаются в неведении для их же спокойствия. Если они узнают, что происходит, то начнется паника. Но этого никак не миновать, ведь рано или поздно они обо всем догадаются...